Red Hot Chili Peppers — Return of The Dream Canteen
The second flight of tracks from April’s Unlimited Love sessions, Return of The Dream Canteen fits neatly as its predecessor’s reflective mellower sibling. With few...
Broken Bells — Into The Blue
Re-teaming for the third time, Brian Burton (Danger Mouse) and James Mercer revisit their electro-indie rock project, Broken Bells. On Into The Blue, the duo...
Pixies — Doggerel
Pixies second incarnation finds a home of sorts on their latest, Doggerel. Their previous three albums saw the band undecided as to whether they wanted...
Marcus Mumford — (self-titled)
The Marcus Mumford of (self-titled) bears little resemblance to the version that exists on Mumford and Sons’ Sigh No More and Babel. Trading in raucous...
The Afghan Whigs — How Do You Burn?
With their first album in nearly five years, How Do You Burn? finds Greg Dulli and The Afghan Whigs wearing yet another musical costume pulled...
Two Door Cinema Club — Keep On Smiling
Two Door Cinema Club’s most popular songs have always pulled away from the band’s rock moorings and towards the waters of dance and electronica, but...
SOHN — Trust
As SOHN becomes more confident in his ability to sing and write taut, simple-but-effective songs, he drifts further away from his electronica-heavy roots. Tremors is...
Muse — Will of the People
Stepping away from the futuristic synth-driven epic Simulation Theory, Muse cobbles together a pastiche of their earlier styles to deliver an album filled with melodies...
Ingrid Andress — Good Person
Following her critically acclaimed debut Lady Like, singer-songwriter Ingrid Andress again plies her version of pop-country charm on sophomore effort Good Person. Without changing much...
Telenova — Stained Glass Love
With Stained Glass Love, upstart electro-pop trio Telenova takes another small step in their musical journey by releasing a second EP following last year’s successful...