Muse — Will of the People
Stepping away from the futuristic synth-driven epic Simulation Theory, Muse cobbles together a pastiche of their earlier styles to deliver an album filled with melodies...
Ingrid Andress — Good Person
Following her critically acclaimed debut Lady Like, singer-songwriter Ingrid Andress again plies her version of pop-country charm on sophomore effort Good Person. Without changing much...
Dirty Heads — Midnight Control
After a successful foray into the cinematic western-tinged music of 2019’s Super Moon, Dirty Heads fall back into more comfortable oceanside sounds on the predictable,...
Fyre Festival vs. Fire Festival: A Tale of Two Would-be Woodstocks
With an afternoon’s worth of time on my hands and a disgusting amount of streaming content at my disposal, I recently set out on a...
Top 10 Album Covers of All Time
Before online streaming cannibalized the time-honored format of the LP and inundated the music industry with endless playlists, album covers grabbed eyes of music consumers...
Panic! At The Disco — Viva Las Vengeance
Far, far removed from the pop amalgam that was Pray for the Wicked, Brendon Urie takes Panic! At The Disco headlong into a form of...
Hot Chip — Freakout/Release
As the title suggests, post-pandemic LP Freakout/Release sees electro-pop icons Hot Chip delving into subject matter deeper than their standard groove-laden electro offerings with the...
Telenova — Stained Glass Love
With Stained Glass Love, upstart electro-pop trio Telenova takes another small step in their musical journey by releasing a second EP following last year’s successful...
Sylvan Esso — No Rules Sandy
On Sylvan Esso’s fourth studio album, No Rules Sandy, the electro-pop duo of Amelia Meath and Nick Sanborn rebalance their synthesized–yet–organic sound, losing much of...
Osees — A Foul Form
Currently calling themselves the Osees, Jon Dwyer’s prog-rock post-punk artistic vehicle dispenses with all pleasantries and runs head-on into their harshest and grittiest effort to...